Giulio Cesare; Così fan tutte; Siegfried/Götterdämmerung – review
It can happen that an opera production leaves such a deep impression on a work that it becomes the audience’s touchstone for a generation. The Mafioso from 1982 by Jonathan Miller Rigoletto – New York gangsters and a jukebox-playing duke – wins for ingenuity and box-office success. (With or without the dog-ear, it will return … Read more