stunning retrospective brings perspective – and freedom of choice – to an Australian great
A Western narrative is invariably grafted onto Australia’s most prominent Indigenous visual artists – a reductive paradigm that makes them easier to understand, interpret and write about. And as a practitioner at the vanguard of the central desert art movement of the 1970s and 1980s, “Emily” Kam Kngwarray (a white male given name, attributed to … Read more